Indu Sriram
What are some techniques that I can use during practice to
Jayanthi Kumaresh :
Will definitely address this in the session tomorrow.
In this masterclass, I will explain and demonstrate:
If you have learned a few varnams and krithis, then this class is for you. Please do send your specific questions in advance so that I can attend those questions individually during the class.
Messages can be submitted by the attendees of the session till 1 hour before the session starts.
Indu Sriram
What are some techniques that I can use during practice to
Jayanthi Kumaresh :
Will definitely address this in the session tomorrow.
Aiswarya
How to effectively switch between different strings?
Rekha Lakshmi Ippagunta
Can you please share some tips for tuning veena both main
Jayanthi Kumaresh :
Will be covered in the session tomorrow.
ramapriya.r
Can you share some tips for keeping the thalam when playing Veena?
Kavitha Kannan
I wonder at your prowess of playing Kalpana Swaram, Though I understand that it’s something that is based on imagination, it would really hel
Niveditha D
Raagam thanam and kalpanaswaram secret on control for these aspects... How to improve upon them as well.
Indira Nagesh
Please provide us any tips and techniques for playing the veena faster with smooth transitions along with thalam.
Dhasa Pprinya
Madam, please show us, how to place the right hand on veena?
Jayanthi Kumaresh :
Will be covered in the session tomorrow.
Dhasa Pprinya
Please, Explain all gamakas one by one
Rohini R
Namaste Madam, please explain how we can play using other
Jayanthi Kumaresh :
Will be covered in the session tomorrow.
Rohini R
Namaste Madam, please explain how we can play using other fingers, I mean not usually used middle &index finger
Rohini R
Madam, please explain the correct way to practice thaanam.
Rohini R
Madam, please can you explain how to practice to play double strings at a time in thaanam and ragaalapanam. Thanks you very much mam.
Sravani Rao
Namaste madam please suggest how to identify correct sound of Veena or a good Veena
Sravani Rao
Madam please explain the placing of fingers on veena
Jayanthi Kumaresh :
Will be covered in the session tomorrow. See you there!
Sravani Rao
Namaste madam please explain sliding from one Swara to another while playing varnam without getting harsh sound
Sravani Rao
Namaste madam Please enlighten me how to avoid the striking sound while playing fast
Indira Viswanathan
I had learnt veena for a few years decades ago and now I'm trying to get back to it. I am very weak in thalam. It will be great if you can give guidance
Indu Sriram
I have seen musicians tap their feet to maintain the thalam while playing Veena. Are there any tips you can suggest to develop this really useful skill?
karthika.sivam90
Namaskaram Ma'm. Can you share some insights on playing raaga aalapana? I understand it cannot be taught, but some tips on how and where to start will
Sangeetha Narayanan
Ma'am, Can you please demonstrate the split finger
Jayanthi Kumaresh :
Will be covered in the session tomorrow.
Sangeetha Narayanan
How to fasten the plucking of the right hand ma'am ?
Jayanthi Kumaresh :
Will be covered in the session tomorrow.
Sangeetha Narayanan
What exercises should we play, to increase the speed of the
Jayanthi Kumaresh :
Will be covered in the session tomorrow.
Sangeetha Narayanan
Ma'am, How to swiftly traverse between strings?
Sangeetha Narayanan
Ma'am , If I continuously play veena for a long time, the skin of my left hand fingers develops a temporary deep impression filled with blackish wax. The
Sangeetha Narayanan
Ma'am, Can you please explain and demonstrate how to play thanam, how to use the thalam strings while playing thanam in different Jathis and
Sangeetha Narayanan
Ma'am, What are the basic swara exercises which are a MUST and UNAVOIDABLE during practice sessions?
Sangeetha Narayanan
Ma'am, while playing kalpanaswarams, how to correctly finish on the beat?
Sangeetha Narayanan
Ma'am, How many times do you practice a particular composition while preparing to play it for your concert?
Sangeetha Narayanan
Ma'am, On some days, If I am not able to play some
Jayanthi Kumaresh :
Will be covered in the session tomorrow. See you there!
Sangeetha Narayanan
Ma'am, If one has learnt a composition just by hearing a musician play, how to bring out a little originality/ play it in our own way?
Sangeetha Narayanan
Ma'am, If one has learnt a composition just by hearing a musician play, how to bring out a little originality/ play it in our own way?
Dhasa Pprinya
How to do volume modulation ? like from high to low and also gradually increase/decrease the volumes.
Dhasa Pprinya
Ma'am, Can you please give brief explanation on how to set shruthi in Veena and Which shruthi box is good to purchase for learners, Thank you
Dhasa Pprinya
Ma'am, Can we set all the shruthi's in a single Veena instrument (C, C#, D, D#, E, F, F#, G, G#, A, A#, B) If so, How should we tune it ? Can you
Dhasa Pprinya
Ma'am, Can you please demonstrate on Brighas Gamaka and also how to play three Brighas in each note. Thank you so much.
Dhasa Pprinya
Ma'am, How to play like thrikutathaka, diru diru, etc similar words.
Dhasa Pprinya
Ma'am, Can you please elaborate on right hand pluck
Jayanthi Kumaresh :
Will be covered in the session tomorrow. See you there!
sharada95
Please suggest varnams or some varisais that we can play
Jayanthi Kumaresh :
Will surely cover this in the session.
ramya.vis
Would you please demonstrate left and right hand techniques to produce the best sound quality (even while playing sarali varisai) from a Veena
ramya.vis
Would you please demonstrate left and right hand techniques
Jayanthi Kumaresh :
This will be covered in today's session.
gayatri.vishwanathan
Could you please suggest practice techniques to help keep track of different thalams while playing kritis ?
gayatri.vishwanathan
Could you please suggest practice techniques to improve flow and creativity for playing raaga alapana ?
Preethyi Prasanna
Namaste mam, few questions I have are : 1. How to make a judgement call of ,playing the note directly at its swara sthana and pulling it in previous frets,
Dr.Jayanthi Kumaresh is India’s torch bearer worldwide for Saraswathi Veena, the National Instrument of India. An artiste, collaborator, composer, researcher, creator, pioneer, and educator, her life achievements over 35 years, truly embodies the rich musical heritage of India, making her one of the legendary Veena masters that India has
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